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I unprejudiced didn’t assume the storyline was as eerie as the first one. Maybe it’s because there was more of a mystery surrounding the organization that was responsible for allowing these killings in the first Hostel. Now we procure to actually peer them do the bidding over these girls. It unbiased looked really cheesy to me. The darkness and suspense that was explain in the first film was no longer there.
“Hostel Fragment 2″ picks up the thread where the unique left off. After this effective opening chapter, director Eli Roth starts telling the horrifying tales again, about three American college students in Slovakia. For the sequel Roth changes the gender of the students to female (Lauren German, Heather Matarazzo and Bijou Phillips) and also includes the sub-plots of “buyers” or sadistic tormentors played by Roger Bart and Richard Burgi.
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Not great can be said about the thin set originally inspired by urban legends. “Hostel Fraction 2″ like its predecessor takes it granted that legends are proper. As a consequence all we have to do is to wait for the tortures to originate, and waste. The sequel provides the unsightly tortures and humdrum deaths and is stout of blood and screams. The extremely graphic film, however, is hardly called scary because it has no nuance or subtlety suggesting the horrors that are to near.
In fact the film does not attempt to cloak the fact that bad fates await the characters. There is no sense of suspense; what we don’t know is the blueprint how these unsuspecting students are tortured. But maybe two “Hostel” films are supposed to be like that. Roth is quite salubrious at making the bloody torture scenes and the black interior sets are impressive. The photography showing the countryside is also very noble, handsome and creepy at the same time.
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There is another thing Eli Roth is fine at and that is the casting. The main cast is very pleasant (and they are all talented), but here I’m talking about the cameos. Ruggero Deodato, director of “Cannibal Holocaust” briefly appears, doing something I shouldn’t mention. Milan Knazko (who was really Minister for Culture of the Slovak Republic) appears as “Sacha.” To stare cameos and references to other films would be attractive laughable to me because they are virtually the list of the people Roth idolizes. Was there Quentin Tarantino? Yes, spy the TV closely.
However, I couldn’t like the film very grand despite (or because of) these “merits.” From at determined point “Hostel Piece 2″ starts being too self-conscious. Should we hold seriously the middle-aged lady taking a shower of blood, apparent reference to Elizabeth Báthory? Should we laugh when Roger Bart’s character refers to one Disney animation character he played? The third act of the film almost becomes slapstick with gores.
“Hostel Share 2″ with the structure that has been getting more and more repetitious since the novel has surprisingly less scares than you ask, being emotionally collected from the viewers, almost cynical in its tone in describing the characters (safe or poor, killing or killed) and their behaviors. The film is inform with doing what it does, often disregarding the audiences who want to be troubled or (if I may employ the word) entertained.
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