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Tex Avery’s Droopy – The Complete Theatrical Collection Streaming.
Product: Tex Avery’s Droopy – The Complete Theatrical Collection
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I wanted to retract a star away because disc #1 contains some un-restored cartoons, in particular the first. I actually believe the Laserdisc looks better! The grain is the same, but the LD colors are shimmering while the DVD colors are primitive. All other cartoons perceive better on the DVD.
Buy,Download, Or Stream Tex Avery’s Droopy – The Complete Theatrical Collection! Click Here
It appears that disc # 2 is restored & newly remastered, all of the cartoons perceive lustrous & fascinating.
The five stars are for the cartoons themselves! These are steady gems of the golden age of cartoons! Tex was an expert at throwing gags at you faster than you would know what hit you. But Tex did tend to recount himself, so viewing this entire spot in one sitting may lessen the enjoyment of some later cartoons.
Buy,Download, Or Stream Tex Avery’s Droopy – The Complete Theatrical Collection! Click Here
It should also be mentioned that while Tex Avery’s name is on the title of this DVD spot, he only directed 17 out of the 24 Droopy cartoons. Which also means that 7 cartoons from this location would not appear on any possible future Tex Avery DVD collection.
There is a mistake on the DVD sleeve title listing, the credit reads “Cartoons 1-18 are directed by Tex Avery”, but not all of them are! I know the last one on disc #1 is not a Tex Avery ‘toon.
The extras on Disc #2 leave alot to be desired, the documentary is bulky of clips from the cartoons you honest saw, with interviewers telling you why you laughed. But there is no true recent information here. This is followed by a greatest gags clip point to, which is pointless if you honest watched the cartoons or the documentary. It seems all of the agreeable Text Avery bonus material has already been extinct in the LOONEY TUNES DVD sets.
Don’t you objective worship Tex Avery? His zany work shines in this collection, which features his best-known character. I’m a colossal fan of Disney cartoons (label my byline below), but most of these Droopy shorts (sorry, couldn’t resist) are impartial terrific. They’re fast-paced, the characters are often well aware they are in a cartoon (they end often to address the audience) and nearly every gag takes you by surprise. Avery created Bug Bunny and Daffy Duck at Warner Brothers, but really hit his slither when he left in a censorship fight for MGM, where he spent more than a decade creating these classics.
There’s something here for everyone. The first few shorts introduce the deadpan doggie, but actually give more mask time to Avery’s libidinous Wolf and slinky, um, woman. OK, dame. (This, by God, is a dame.) Not for kids at all, “The Shooting of Dan McGoo” and “Wild and Woolfy” are as lusty as anything you’ll ever spy that’s sold on Amazon. Avery designed the two shorts with American G.I.s in mind, and they were shown at U.S. military camps during World War II. The other Avery girlie cartoons, “Red Hot Riding Hood” and “Swing Shift Cinderella,” are currently out of print. (Want to glance an early Avery trouble? His 1936 “I Admire to Singa” is a bonus feature on Elated Feet (Widescreen Edition) .)
The rest of the cartoons here are more family ample, with the Wolf often replaced by Spike or Butch, both G-rated bulldogs. The last few shorts on this station were produced without Avery by television outfit Hanna-Barbera. They will be of interest only to children.
Most all the shorts have been digitally restored, and they notice wonderful. The colors are sparkling and the focus is piquant. Extras in this collection include the documentary “Droopy and Friends: A Laugh Support,” which includes commentary by animation historian John Canemaker, as well as a “Doggone Gags” montage of Droopy highlights.
Here’s the list of the cartoons, each with my rating of one to five stars:
DISC ONE
The first four shorts on this DVD are the cream of the slash, and worth its stamp all by themselves:
***** “DUMB-HOUNDED” (1943) . A steady classic. From the moment Droopy drags himself onscreen (bringing up the rear of a team of police bloodhounds) you know he’s a different kind of hero. “Hello all you cheerful people,” he deadpans to the audience, breaking the fourth wall for the first of, oh, a hundred times. “You know what? ” I’m the hero.” He continually sniffs out the Wolf, an escaped prisoner.
***** “THE SHOOTING OF DAN MCGOO” (1945) . The song “Frankie and Johnny” sets the theme for this adventure location in (say it snappy) Coldernell, Alaska. It’s a gag-filled remake of the Robert Service poem “The Shooting of Dan McGrew” (”A bunch of the boys were whooping it up in the Malamute saloon; the kid that handles the music-box was hitting a jag-time tune…”), with a dance-hall dame so hot even Droopy howls at the moon.
***** “WILD AND WOOLFY” (1945) . Droopy gets the girl — and lets loose with another wild howl — after he saves her from the Wolf’s kidnapping attempt. Along the diagram there’s a fork in the road (yes, a valid fork) and a horse that takes off its shoes to deplorable a stream.
***** “NORTHWEST HOUNDED POLICE” (1946) . When the Wolf escapes San Francisco’s Alka-Fizz Prison — by simply drawing an dash door — Droopy tracks him down wherever he goes. Amazingly comical.
Other shorts on Disc One:
*** “SENOR DROOPY” (1949) . Bullfighters the Wolf and Droopy (”Senor Droopy from Guada-loopy”) compete for a magnificent (and live action!) senorita. About as obliging as the best Bugs Bunny.
** “WAGS TO RICHES” (1949) . Spike the bulldog tries to knock off Droopy when a millionaire leaves our hero a fortune… that goes to Spike if he dies.
* “OUT-FOXED” (1949) . Droopy goes fox hunting. Skippable.
** “THE CHUMP CHAMP” (1950) . Droopy and Spike compete in sports events. OK, but Disney’s “How To” shorts with Goofy are funnier.
** “DAREDEVIL DROOPY” (1951) . Droopy and Spike compete to become a circus acrobat. Survey above.
*** “DROOPY’S Superb DEED” (1951) . Droopy and Spike wage war in a Boy Scout competition. The best moment: when Droopy goes into a burning cabin, the damsel in harm looks a lot like Disney’s Cinderella (whose film was, gee, released the same year) . A moment later comes the black-face moment with Spike that other reviewers have mentioned. A Rochester gag comes later. The racial scenes occupy away from an otherwise favorable cartoon. The slapstick gags are similar to, but funnier than, those in the best Road Runner shorts.
** “DROOPY’S DOUBLE Concern” (1951) . Now a butler, Droopy teams up with his twin brother Drippy to stress-out Spike.
*** “CABELLERO DROOPY” (1952) . Violinist Droopy and a guitar-strumming wolf (the “Kristo Kid”) woo a senorita. More Road-Runner-style gags.
DISC TWO
** “THE THREE Slight PUPS” (1953) . A parody of Disney’s “The Three Shrimp Pigs.” Snoopy, Loopy, and Droopy are the three exiguous dogs. Has another black-face moment. Includes a couple moments where the characters glance a (sincere) live-action western on TV.
**** “DRAG-A-LONG DROOPY” (1954) . The definitive Droopy cartoon. When his sheep demolish the pasture of some cattle country (the “Absorb Butte Ranch”), shepherd Droopy gets into argument, a shooting-skills contest and eventually a head-to-head stampede with the rancher Wolf. Has talking cows, naked cows and the strangest Droopy dame: the Venus de Milo, who, when the Wolf takes over her body (don’t ask), runs away on very comely high-heeled gams. (Yes, gams. I’m really getting the lingo down, don’t ya believe? )
***** “HOMESTEADER DROOPY” (1954) . The space? The Wolf (here, “Dishonest Dan, the Cattle Man”) hassles homesteader Droopy. The reasons to esteem it? Well, it’s got tall gags, astronomical writing, a baby Droopy (he’s the hero this time) and one of the funniest talking-cow moments in film history. When a bull comes into the Wolf’s office and says simply “Moo Moo Moo Moo! Moo! Moo!” the Wolf responds “What? A dirty homesteader unbiased fenced in our water hole in Red Rock Canyon? ”
*** “DIXIELAND DROOPY” (1954) . Droopy plays John Pettybone, a dog who has one single ambition: to lead a Dixieland Jazz Band in the Hollywood Bowl. A loud Dixieland get, with unexpected sudden moments of plain silence, sets this one apart.
*** “DEPUTY DROOPY” (1955) . The characters win more angular (i.e., more ’50s-style) and the colors bag brighter as lawman Droopy stops some varmints from making off with some gold. No Wolf, no Spike, but not awful.
** “MILLIONAIRE DROOPY” (1956, Cinemascope) . A throwback, this is simply a widescreen version of “Wags to Riches.”
Now things change. Tex Avery leaves MGM and animator Michael Lah creates six Droopy shorts on his fill. Kids will like them, but these remaining cartoons lack the Avery touch. Produced by Hanna-Barbera, they lose their hasty coast and unpredictable nature, and seem great more like 1960s TV fare. But the color, at least, is fantastic:
** “GRIN AND Part IT” (1957, Cinemascope) . When Droopy and Butch (judge Spike crossed with Yogi Occupy) strike gold, Butch wants it all to himself.
** “BLACKBOARD JUMBLE” (1957, Cinemascope) . Three school boys (all of which glance like Droopy, but don’t have his personality) try the patience of their substitute teacher, a slow-moving Wolf (who now has the insist of Huckleberry Hound) . Comical at times, but has none of the deadpan Droopy wit.
* “ONE DROOPY KNIGHT” (1957, Cinemascope) . Sirs Butchalot and Droopalot vie to extinguish a dragon. Nominated, somehow, for 1957’s Best Short Subject Cartoon Academy Award.
*** “SHEEP WRECKED” (1958, Cinemascope) . Droopy guards his sheep from the Wolf. The best of the Hanna-Barbera shorts. Very shimmering, with lots of orange backgrounds.
** “MUTTS ABOUT RACING” (1958, Cinemascope) . Droopy and Butch compete in a car hasten.
* “DROOPY LEPRECHAUN” (1958, Cinemascope) Butch mistakes Droopy for a leprechaun. An airline stewardess looks honest like Jane Jetson.
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