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(In fact 4.5 Stars) Though ‘Howl’s Titillating Castle’ (’Hauru-no Ugoku Shiro’) may not be Miyazaki’s best film, it is level-headed far more savory than many other films, Japanese or American, involving or not. I for one very powerful enjoyed watching it, and I admire the film for its intelligent characters and the rich textures of the designs, especially the fantasy world itself where witchcraft and humans’ mundane works can be seen side by side. And the titular six-legged castle that really walks among the wilderness is something you never peek except in his films.
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Miyazaki’s fresh film is based on a book of the same title written by Diana Wynne Jones. The film’s legend is told from the viewpoint of a 18-year-old girl Sophie, who is working at a milliner’s shop every day. But she can hear the sound of bloody battles from the distance, and it is positive that this splendid country, where witches and wizards live among humans, is going to gaze another war sooner or later.
But apparently Sophie is collected leading an ordianary life until her uneventful routine days are suddenly broken by one accidental meeting with substandard ‘Witch of the Ruin,’ who turns her into an veteran woman with a curse. Seeking for her dwelling to live, Sophie goes to the wilderness where, the townspeople say, a young wizard named Howl wanders. In fact, Sophie encounters Howl’s Spicy Castle in the foggy moutainside, and she decides to hop in. There, forbidden to talk about her curse, she starts a unusual life with young and pleasing Howl, who speaks to her profitable like a prince, but at times acts like a foul child.
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[MIYAZAKI'S Savor STORY] You will be impressed with many extraordinary and smart images created by Miyazaki. You might derive an anti-war message deep in the film’s sage, but will net the romantic relations between Sophie and Howl is the most touching and impressive share of the film. Sophie’s romantic feeling towards Howl is expressed in a modern contrivance (which I don’t negate here), and Miyazaki, as usual, is very great at drawing the character of this independent heroine. One challenging thing is, probably this is the first case in which Miyazaki attempted to note a like tale in his films. And a kiss too.
I must say that not everything works in ‘Howl’s Challenging Castle.’ I haven’t read the modern book, but it is certain that Miyazaki made changes. Not that I’m blaming them. But the sage is sometimes told too hurriedly, and when you contemplate something (actions or whatever) will commence, it ends abruptly. Howl’s character is tubby of contradictory traits, that’s wonderful, but his complicated personality could have been more effective and convincing with more detailed episodes about, say, his mentor magician (and politician) Madam Suliman or Witch of the Demolish.
(If I am not unsuitable, ‘Howl’s Appealing Castle’ is a rare case for Miyazaki who prefers to consume his enjoy stories, and this is the first time he adapts someone else’s tale in 15 years, last time being ‘Kiki’s Delivery Service. But ‘Kiki’s’ record written by Eiko Kadono is not long — I know, I read — while ‘Howl’s’ myth is, I judge, worthy longer. Maybe these facts have soemthing to do with my complaint.)
Greatly helped by Jo Hisaishi’s comely secure, ‘Howl’s Enthralling Castle’ is paunchy of imaginative power, with one strong heroine you can recount to (though she is 90-years-old), plus memorable supports including fire damon Calcifer, (not a terrible guy at all), and ubiquitous Prince Turnip who always appears at the proper moment. Flawed, to be determined, but palatable fantasy memoir with a healthy amount of humor and lots of imagination.
The review above refers to the unique Japanese version. I know the English version includes the voices of Christian Bale, Jean Simmons, and Billy Crystal, but as I have never seen the version, I did not talk about them. Detached, as Mr. Miyazaki is not likely to approve any changes done to his films, I hope what I saw in Japan, you will contemplate in your country.
Not a lot of directors would be valorous enough to pick on a esteem sage between a girl-turned-old-lady and a wizard missing a famous organ. But Oscar-winning Hayao Miyazaki tackles a fresh fantasy realm in in “Howl’s Provocative Castle” — namely, that of fantasy dowager Diana Wynne Jones.
Sophie (Emily Mortimer) is a dull, sorrowful young woman working in a milliner’s shop — lightened only slightly by a mysterious wizard who rescues her one day. But then the rank Witch of the Destroy (Lauren Bacall) comes into the shop, and casts a spell on her, turning her into an aged veteran lady (Jean Simmons) . Sophie ends up wandering into the Bewitching Castle, a chicken-legged chaos machine, and encountering the sexy if childish wizard Howl (Christian Bale), smart-aleck fire demon Calcifur (Billy Crystal), and preteen apprentice Markl (Josh Hutcherson) .
Sophie appoints herself the cleaning lady and starts whipping the castle into shape, trying to deal with Howl’s temper tantrums and the war brewing all around them, and trying to cure her exclusive curse. But when she runs an errand to a castle in Howl’s location, she finds that her unusual boss has some base problems of his possess — including his missing heart, and impending transformation into a monster.
Don’t quiz worthy fidelity to the novel; Miyazaki takes plenty of liberties with the anecdote. As a result, it feels more like his narrative than Jones’, with all the earmarks he usually has — blobby monsters, shining rural settings, intense anti-war messages, odd machines, and a Jules-Verne atmosphere of Victorian technology. But “Howl’s Though-provoking Castle” is very different from the others Miyazaki has done, since he kept the British flavour of the current book.
It’s also different because it’s a adore yarn — and a surprisingly un-cheesy one. In less skilled hands, having Howl say “I finally found something worth protecting. It’s you” would seem inane, but Miyazaki keeps it brief and mighty. And even though Sophie looks elderly through most of the movie, Miyazaki never falls into trite observations about inner beauty. He unprejudiced lets the narrative assure us that.
The animation is virtually flawless, from the chaotic absurdity Curious Castle to the breathtaking aerial battles with the bird-man Howl. Little details are everywhere, from painted ceiling beams to account for doorknobs. But there are also level-headed, inspiring moments, such as Sophie attempting to houseclean the entire Challenging Castle. Calcifur is the one sore point — he’s not done badly, but he looks vaguely artificial. I instruct a fire demon is hard to animate.
There are a few flaws, in that the tale could have old-fashioned a bit more fleshing out — at times the relationships between the characters are sketchy. Not powerful detail, for example, is given about sorceress Suliman (Blythe Danner) and her relationship to Howl, or why she’s so peeved at him. Or about the nature of Howl’s increasingly perilous magic and why he did what he did to lose his heart.
While there are the usual “howls” that the English dubbing is infamous to the unique Japanese, the assorted reveal actors did exceptional work in the American version. Christian Bale and Billy Crystal are the major standouts — Crystal is humorous and dry as usual, while Bale is sultry, sexy, soft-spoken and deep. Except, of course, when Howl runs around the house shrieking that his hair is ruined.
“Howl’s Gripping Castle” moves on a minute too like a flash in places, but it’s tranquil a breathtaking, romantic, radiant lope. A astonishing chronicle, told by one of the few filmmakers who could do it justice.
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